“Merciful to Me” from Reformed Praise

I’ve noted before that I think Eric Schumacher is one of the best poets at work on the craft in this generation. He writes to help the people of God praise the name of God, celebrating God’s saving mercy in Christ by the power of the Spirit.

Eric writes of the new album from Reformed Praise, “Merciful to Me“:

“As many of you know, I collaborate in song-writing with David Ward (and others) through the ministry of Reformed Praise.

This month we released our latest album, Merciful to Me. It was co-produced by David Ward and Steve Cook (of Sovereign Grace Music). It contains the vocals of Devon Kauflin, Shannon Harris, Jake Armerding, Lucia Newell, and others, as well as a host of great instrumentalists from around the country. The 13 tracks are an eclectic mix of styles, including bluegrass, pop, classic jazz, driving rock, and orchestral arrangements.”

On the album’s webpage, you can read about the project and sample the songs, which are described as follows:

1. Merciful to Me – A guitar-driven ballad featuring ac. guitar, piano (very light), kit on brushes, some percussion, soprano sax, and fretless bass
2. There Is No Greater Portrait – A piano and orchestra driven arrangement by Bob Parsons
3. Jesus, I My Cross Have Taken – A guitar-driven ballad with kit on brushes, piano, fiddle
4. O Jesus – Energetic pop arrangement with a drum loop and tasty electric guitars
5. O God the Holy Spirit – Another piano and orchestra driven arrangement by Bob Parsons
6. So I Will Come – A guitar driven ballad featuring Shannon Harris on vocals with acoustic bass, piano, and a string trio
7. Jesus, Lover of My Soul – A Dave Matthews inspired setting with layered acoustic guitars and saxes
8. The River – A driving rock arrangement led by acoustic guitar, then handed off to an electric guitar
9. Glory Is Certain – A pseudo-Celtic flavor: live guitr, djembe, acoustic bass, and vocals with added mandolin and Irish whistle
10. There Is No Sin that I Have Done – A very sparse, guitar driven ballad with upright bass and pedal steel guitar
11. O Weary Saint – Another sparse setting, piano-driven with Irish flute and cello
12. Begone, Unbelief – A foot-stompin’ bluegrass setting with live guitar, vocal, drums, and upright bass with added dobro, mandolin, and fiddle
13. Majestic Sweetness – A classic jazz ballad arrangement inspired by Bill Evans’ work on the Miles Davis “Kind of Blue”

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Filed under Art, Attempts at poetry, Bible and Theology, Music, Worship

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